Bec Saxophone Tenor Selmer classic sd20 in ebonite View larger

Bec Saxophone Tenor Selmer classic sd20 in ebonite

New product

In 1885 Henri Selmer has created a shop of musical instruments in Paris, and has made also of beaks and reeds for clarinet and saxophone. The development of beaks continued throughout the 20th century in parallel with the instrument. The development of a beak being closely linked to that of the instrument, Selmer took advantage of his experience in these 2 activities to develop a comprehensive range of spouts that meets the expectations of all types of musicians.

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SEL-60658

Expédié sous 5 à 10 jours

132,00 €

  No tax

Data sheet

Référence fournisseurA4114059300

More info

The beaks are reputed to be among the best in the world.




The beak SD20 is the new spout classic developed in collaboration with the quatuor Diastema. Selmer is moving away from the patterns of the S80 and S90, as the SD20 is equipped with a round chamber, as the Soloist. The SD20 is less centered than the S80 and the S90 with the right balance of flexibility, volume and control. The SD20 frees the expression and opens the sound options. The SD20 has a round chamber, an opening of 1.94 mm and a table length of 33mm.





The bec de saxophone tenor Selmer SD20 is made from ebonite, a rubber hardened by the addition of sulfur which makes this material extremely stable.

barre ebonite brut

ebauche bec tourner

fabrication de bec



Drafted on a tower, torches are then polished, and then the chamber is pierced, a draft of the table is performed, and finally the light and the end are milled. The finishing is then done entirely by hand.



Technical characteristics SD20 :



- Round chamber

- Opening 1.94 mm

- Table length 33mm

- A fair compromise of flexibility, volume and control

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Bec Saxophone Tenor Selmer classic sd20 in ebonite

Bec Saxophone Tenor Selmer classic sd20 in ebonite

In 1885 Henri Selmer has created a shop of musical instruments in Paris, and has made also of beaks and reeds for clarinet and saxophone. The development of beaks continued throughout the 20th century in parallel with the instrument. The development of a beak being closely linked to that of the instrument, Selmer took advantage of his experience in these 2 activities to develop a comprehensive range of spouts that meets the expectations of all types of musicians.