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The manufacture of the reeds Light from polypropylene.This material non-toxic is treated so that the use of the reeds to be absolutely sure.A process of specific has been adopted in order that the material meets precisely the density and the stiffness of the reeds in the traditional way.No chemicals are used in the manufacturing process.
The manufacture of the reeds Light from polypropylene.This material non-toxic is treated so that the use of the reeds to be absolutely sure.A process of specific has been adopted in order that the material meets precisely the density and the stiffness of the reeds in the traditional way.No chemicals are used in the manufacturing process.
The manufacture of the reeds Light from polypropylene.This material non-toxic is treated so that the use of the reeds to be absolutely sure.A process of specific has been adopted in order that the material meets precisely the density and the stiffness of the reeds in the traditional way.No chemicals are used in the manufacturing process.
The manufacture of the reeds Light from polypropylene.This material non-toxic is treated so that the use of the reeds to be absolutely sure.A process of specific has been adopted in order that the material meets precisely the density and the stiffness of the reeds in the traditional way.No chemicals are used in the manufacturing process.
The manufacture of the reeds Light from polypropylene.This material non-toxic is treated so that the use of the reeds to be absolutely sure.A process of specific has been adopted in order that the material meets precisely the density and the stiffness of the reeds in the traditional way.No chemicals are used in the manufacturing process.
The manufacture of the reeds Light from polypropylene.This material non-toxic is treated so that the use of the reeds to be absolutely sure.A process of specific has been adopted in order that the material meets precisely the density and the stiffness of the reeds in the traditional way.No chemicals are used in the manufacturing process.
The manufacture of the reeds Light from polypropylene.This material non-toxic is treated so that the use of the reeds to be absolutely sure.A process of specific has been adopted in order that the material meets precisely the density and the stiffness of the reeds in the traditional way.No chemicals are used in the manufacturing process.
Reed, Saxophone Reed Soprano Saxophone The reed Saxophone and Sorpano Forestone Black Bamboo combines the advantages of the reed, synthetic, and those of the reed reed. A projection and vibration quality A strong proximity with the reed in reed Regularity is praised by all the saxophonists
Reed, Saxophone Reed Soprano Saxophone The reed Saxophone and Sorpano Forestone Black Bamboo benefits both of the advantages of the reed are synthetic and those of the reed reed. Great resemblance to that of the reed in reed Japanese manufacturing The know-how for developpé 30 years during Great regularity, consistency and durability
Reed, Saxophone Reed Soprano Saxophone Reed, Soprano Saxophone Forestone Black Bamboo combines the advantages of the reed saxophone synthetic and those of the reed saxophone reed. Stability and constancy of the reed synthetic Japanese manufacturing Excellent in all registers Odourless and non-toxic
Reed, Saxophone Reed Soprano Saxophone Reed, Soprano Saxophone Forestone Black Bamboo combines the advantages of the reed, synthetic, and those of the reed reed. Japanese manufacturing and 30 years of know how Method of manufacture (injection moulding) and materials (carbon and bamboo) innovative Great outfit and great regularity
In 1963, Juan Jose Gonzalez a oboist Argentine region of Mendoza at the foot of the Cordillera of the Andes, made of reeds from reeds in the wild. Gradually, he was able to produce reeds, which, by their cutting quality and sound, had a level that could meet the demands of professionals.
In 1963, Juan Jose Gonzalez, oboist Argentine from the Mendoza region at the foot of the Cordillera of the Andes, made of reeds of reeds in the wild. He is progressively able to produce reeds, which, by their cutting quality and sound, have reached a level that can meet the demands of professionals.
In 1963, Juan José Gonzalez oboist Argentine from the sunny region of Mendoza at the foot of the Cordillera of the Andes, made of reeds from reeds in the wild. As he peaufinait his art, he is able to produce reeds, which, by their cutting quality and sound, could satisfy the demands of professionals.
Reed, soprano saxophone strength 1.5 Marca Jazz produces a powerful sound, while retaining a high degree of agility in the changes of note. Featuring a gunn cut (unfiled), the reed Marca Jazz to a design derived from the experience of Marca, which leaves a thick heel. The cane selected is of premium quality, which ensures that the reed Jazz Marca a long...
Reed, soprano saxophone strength 2 Marca Jazz produces a powerful sound, while retaining a high degree of agility in the changes of note. Featuring a gunn cut (unfiled), the reed Marca Jazz to a design derived from the experience of Marca, which leaves a thick heel. The cane selected is of premium quality, which ensures that the reed Jazz Marca a long...
Reed, soprano saxophone strength 3 Marca Jazz produces a powerful sound, while retaining a high degree of agility in the changes of note. Featuring a gunn cut (unfiled), the reed Marca Jazz to a design derived from the experience of Marca, which leaves a thick heel. The cane selected is of premium quality, which ensures that the reed Jazz Marca a long...
Reed, soprano saxophone strength 3.5 Marca Jazz produces a powerful sound, while retaining a high degree of agility in the changes of note. Featuring a gunn cut (unfiled), the reed Marca Jazz to a design derived from the experience of Marca, which leaves a thick heel. The cane selected is of premium quality, which ensures that the reed Jazz Marca a long...
Reed, soprano saxophone, strength 4 Marca Jazz produces a powerful sound, while retaining a high degree of agility in the changes of note. Featuring a gunn cut (unfiled), the reed Marca Jazz to a design derived from the experience of Marca, which leaves a thick heel. The cane selected is of premium quality, which ensures that the reed Jazz Marca a long...
The reed Marca Superior for soprano saxophone strength 2 maintains a sound very balanced, not too dark, if too light. This reed is durable, and is widely used by saxophonists from all walks of life. His presentation elegant in its black box is a popular saxophonists. The family business Marca products of the reeds in the Var (France) since 1957.
The reed Marca Superior for soprano saxophone strength 1.5 maintains a sound very balanced, not too dark, if too light. This reed is durable, and is widely used by saxophonists from all walks of life. His presentation elegant in its black box is a popular saxophonists. The family business Marca products of the reeds in the Var (France) since 1957.
The reed Marca Superior for soprano saxophone strength 2.5 maintains a sound very balanced, not too dark, if too light. This reed is durable, and is widely used by saxophonists from all walks of life. His presentation elegant in its black box is a popular saxophonists. The family business Marca products of the reeds in the Var (France) since 1957.
The reed Marca Superior for soprano saxophone strength 3 maintains a sound very balanced, not too dark, if too light. This reed is durable, and is widely used by saxophonists from all walks of life. His presentation elegant in its black box is a popular saxophonists. The family business Marca products of the reeds in the Var (France) since 1957.
The reed Marca Superior for soprano saxophone strength 3.5 maintains a sound very balanced, not too dark, if too light. This reed is durable, and is widely used by saxophonists from all walks of life. His presentation elegant in its black box is a popular saxophonists. The family business Marca products of the reeds in the Var (France) since 1957.
The reed Marca Superior for soprano saxophone, strength 4 maintains a very balanced, neither too dark if too much clear. This reed is durable, and is widely used by saxophonists from all walks of life. His presentation elegant in its black box is a popular saxophonists. The family business Marca products of the reeds in the Var (France) since 1957.
The reeds Frederick L. Hemke Premium for soprano saxophone strength 2 have a sound that is dark that is sought after by a lot of saxophonists classical and jazz. This reed is especially suited to torches traditional. Thanks to the cut in the French style (filed) reeds Frederic Hempke premium are characterized by a very quick response and clear,...
The reed Frederick L. Hemke Premium for soprano saxophone strength 3 has a sound that is dark that is sought after by a lot of saxophonists classical and jazz. This reed is especially suited to torches traditional. Thanks to the cut in the French style (filed) reeds Frederic Hempke premium are characterized by a very quick response and clear, particularly...
The reeds Frederick L. Hemke Premium for soprano saxophone strength 2.5 have a sound that is dark that is sought after by a lot of saxophonists classical and jazz. This reed is especially suited to torches traditional. Thanks to the cut in the French style (filed) reeds Frederic Hempke premium are characterized by a very quick response and clear,...
The reed Frederick L. Hemke Premium for soprano saxophone strength 3.5 has a sound that is dark that is sought after by a lot of saxophonists classical and jazz. This reed is especially suited to torches traditional. Thanks to the cut in the French style (filed) reeds Frederic Hempke premium are characterized by a very quick response and clear,...
The reeds Frederick L. Hemke Premium for soprano saxophone, strength 4 have a sound that is dark that is sought after by a lot of saxophonists classical and jazz. These reeds are particularly suitable for nozzles that are traditional. Thanks to the cut in the French style (filed) reeds Frederic Hempke premium are characterized by a very quick response and...